Inside the house itself is of course fascinating. Each lavish, mirrored, chandaliered room is occupied by a knowledgeable curator with whom you can discuss the artworks and architecture. Do talk to them, they really know their stuff.
A word about photography. The pros amongst you will be familiar with the National Trust's current stance - that no person may use any image taken upon Trust land for commercial purposes. As a result, thousands of images are being pulled from the stock agencies, so that the Trust may entirely control the availability of any and all images taken of Trust property, via its central photo library (NTPL). This has understandably caused a furore in photographic circles, but it is nevertheless Trust policy and must be abided upon. In other words, your picture-taking must be for personal enjoyment only. If you want to use the pictures for anything else, you'll need to contact the Trust directly.
The kit for this outing comprised one Canon 5D body, one 40D body, 16-35 f2.8L lens, 24-104 f4 L lens. Why two bodies? Because that's how I always work - constantly changing lenses is a faff, especially outdoors, especially if one of those bodies has a full-frame sensor. And working between 35mm and APS-C format has so many benefits I can't tell you.
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Polesden Lacey photographs. The house is stunning, every detail caught up in each photo frame, I have never been to this Trust Estate, but will certainly do so a.s.a.p. Griffins Gate entrance very impressive. The lion had a tired, worn look on his face, what a tale he would have to tell on gazing over the gardens for many years. Flowers are beautiful and perfectly photographed. Did like the Ivy trailing around the huge ball, also the garden wall with the port-hole and statue in the background. Thank you for the pleasure of marvelling at the beautiful place through your fantastic photography.
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